James Joyce's The Dead
Belasco Theater, NY - January 2000
Review by John Kenrick
The critics had some extravagant things to
say about this one, hailing it as a major theatrical event. (Silly me – I still fall for
that old line.) Not that I needed much encouragement to see any show that boasted such a
musical theatre dream cast. As it turned out, most of the cast did not disappoint, but the
show they were trying to breathe life into was another matter.
The Dead is one of Joyce's best known short stories.
Sometime around 1900, two spinster sisters throw a Christmas party in their Dublin flat.
Since the three ladies are music teachers, the party becomes an impromptu concert. By
evening's end, one of the sisters faces her death, and their favorite nephew realizes his
wife is haunted by memories of a boy show loved in her youth.
As the sisters, Sally Ann Howes (Chitty
Chitty Bang Bang) and Marni Nixon (who dubbed the leads in King &
I, West Side Story, My Fair Lady) have far too little to sing but dazzle at every
turn. Veteran character actress Paddy Croft (Prime of Miss Jean Brody)
deftly plays the righteous Mrs. Malins, who is both infuriated and charmed by her tipsy
son Stephen Spinella (Angels In America, Love Valor Compassion). Spinella
proves himself an irresistible musical comedian – the most exciting moment in the show
comes when he leads the ensemble in the foot-stomping "Wake the Dead."
I hope this is not his last musical – what a delight!
As the narrator, Christopher Walken under-acts, a
rare accomplishment for him. However, he also under-sings, and is usually so off-key that
he's in Connecticut. How sad that this show's box-office star is also its weakest link.
Blair Brown does a smashing job as his wife, a woman haunted by memories of a lost
love.
Side Show sisters Emily Skinner and Alice Ripley share no songs, but
each gets the chance to remind us what exciting performers they are. Secret Garden's
Daisy Eagan shares a brief duet with Howes – not much, but it is delightful to see
what a lovely young lady she has become.
The cast also includes Dashiell Eaves (the revivals
of Sound of Music and 1776), and Brooke Sunny Moriber (Les Miz and
Parade). It was a special pleasure to see Brian Davies, who created the
roles of Rolf (The Sound of Music) and Hero (Forum) and is just returning to
the theatre after a long hiatus.
The score by composer Shaun Davey and playwright Richard
Nelson accurately captures the sound of late-19th Century Irish popular
music. However, these pastiches do not amount to a cohesive score, and the bizarre staging
has most of performers turn their backs on the audience to entertain the rest of the cast.
Seeing as the audience is paying good money to see The Dead, it is insulting as
well as inept to have us spend most of the songs watching the performer's backsides.
It was no wonder that so many people walked out midway
through the performance I attended – this despite the fact that the show is only 100
minutes long. Even I found my eyelids getting painfully heavy at several points. A
director with solid musical experience would have made a massive difference here. Jane
Greenwood's costumes are handsome, but the David Jenkins set is
so minimal that it hardly matters. The script tries to accentuate the brighter aspects of
this bittersweet tale, but the effort is half-hearted, as if Mr. Nelson knows that he is
tampering with Joyce's original intentions and is somewhat embarrassed.
Final verdict: go for the cast, not the show.
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