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John Kenrick at
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Musicals on DVD 4
Reviews by John Kenrick
(Copyright 2007)
PLEASE NOTE: If you order by using this search link to Amazon.com, a portion of your purchase price goes towards supporting Musicals101.com.

Gigi (WB/Turner)
The picture and sound quality are tops, but the special features are nil, so even though this is one of the greatest musicals ever filmed, you may want to stick to TV reruns.


Going My Way (Universal)
Released as a double feature with Holiday Inn, this Academy Award winning film looks and sounds great -- but deserved a classier release. There is no commentary and the special features are not in the least special -- meaningless production notes, etc. Bing Crosby and Barrie Fitzgerald are pure magic, and the songs are still wonderful, but catching the TV reruns that occur every year around Christmas time will serve just as well.


The Gondoliers - Opera Australia (Image)
This production originated at Canada's Stratford Theatre, and is as witty as it is visually arresting. The cast has the vocal and comic  chops required, making this particularly enjoyable. Gilbert & Sullivan fans will be delighted, and those new to the genre will get to see what all the fuss is about. The plot has two Venetian gondoliers learning that one of them is a king. A few comic lyrics have been updated with local Australian humor, which will do little to detract from the rest of the world enjoying this one. The Stratford cast did a video version that has not (as of this writing) made it to DVD -- hope that changes, because that was a first rate performance too.

Another TV version of The Gondoliers was done as part of the so-called "Complete Gilbert & Sullivan" series -- it stinks worse than the Grand Canal at high noon, and should be avoided at all costs.


Gosford Park (Universal)
This brilliant upstairs-downstairs murder mystery set in a 1930s English country manor house is definitely not a musical, but it did much to resuscitate the international reputation of British composer Ivor Novello. His songs and shows were considered "too British" for American audiences, so this was the first chance many US theatre buffs had to hear his melodies. The impossibly handsome Jeremy Northam portrays Novello and sings several of the composer's most memorable songs with sensitivity and style. (Northam's unseen concert pianist brother assists with some of the piano playing.) The irony is that Novello himself could not sing at all, and would never have entertained a private party as he does in this film. The commentary tracks and "making of" featurette are packed with fascinating information -- a feast for history buffs and Anglophiles.  Even if the film were not such a rip-roaring overall treat, it would be worth owning just for the songs.


La Grande Duchesse de Gerolstein (Virgin Classics)
This is one of a series of Offenbach operettas restaged and videotaped in recent years -- and what fun it is to see an 1867 hit still win laughs. Felicity Lott stars as a randy monarch who's obsession with men in uniform leads her to make a dimwitted private (handsome Yann Beuron) commander of her wartime army. The comedy is broad, the singing is lush, and both the sound and widescreen picture quality of this live performance are outstanding. Excellent subtitles. If you are looking for an introduction to Offenbach, this is a great choice. 


The Great Ziegfeld (WB/Turner)
Despite being way too long, this is one of the few musicals to win the Academy Award for Best Picture. Unfortunately, WB was in one of its cheap moods, and did not bother including a commentary track -- merely a meager "making of" featurette and a premiere night newsreel. Yet another film you may as well catch on a TV rerun.


Guys and Dolls (MGM)
Broadway buffs get to see original cast members Stubby Kaye and Vivian Blaine recreate their show stoppng moments; unfortunately, viewers also have to endure the meager singing of Marlon Brando. This stage hit deserved better star casting, but the overall production is handsome and at times highly entertaining. Frank Loesser's new song "The Eyes of a Woman in Love" is pleasant but a poor replacement for "I've Never Been in Love Before." The standard DVD edition has no special features, but a special edition includes frills galore -- none of which make this the great film musical it could have been.


Gypsy (Hallmark)
The film version starring a dubbed Rosalind Russell is not nearly as bad as some people suggest, but it can't hold a candle to this excellent TV production, which includes the uncut stage libretto and score, as well as a cast where everyone handles their own singing. Bette Midler is a socko Rose, Cynthia Gibb is a surprisingly good Louise, Peter Riegert is excellent as Herbie, and character cameos go to such top talents as Ed Asner and Christine Ebersole. The original choreography by Jerome Robbins is in place, and it never hurts to have costuming done by the incredible Bob Mackie. There is a full length commentary track by the producers with lots of fun behind the scenes information, which is more than most TV musicals on DVD ever get. Very highly recommended.


Hamlet (Image)
The 1964 Broadway revival of Shakespeare's classic tragedy was packed with musical stage stars. Filmed live in performance, it did not live up to Richard Burton's expectations, so he exercised a clause in his contract and blocked the release of this in theatres. All copies were thought lost until one turned up -- in Burton's closet! He is electrifying in the lead, Alfred Drake is suitably hateful as King Claudius, Eileen Herlie is Queen Gertrude, John Cullum is a powerful Laertes, George Rose has a blast as the First Gravedigger, and the cast also includes Hume Cronyn as Polonius, Barnard Hughes in several small roles, and an unseen John Gielgud as the voice of the ghost. There are some technical glitches that fans will happily overlook to get this priceless look back at a legendary stage production.


Hans Christian Andersen (MGM)
Danny Kaye is quite delightful, but since MGM went cheapskate and offered no special features on the DVD release, you are just as well off seeing this on a holiday TV rerun.


The Happiest Millionaire (Disney)
Yes, it is far too long, and the plot eventually falls apart, but a star-studded cast and a tuneful Sherman Brothers score make this a "coulda been" that's still worth seeing. The "Road Show Edition" DVD offers scenes left out of the standard edition, as well as an overture and intermission music -- added scenes only make the ending more pallid. Not so much as a featurette or trailer is thrown in. But John Davidson never looked more dashing, and Tommy Steele's renditions of songs like "Fortuosity" suggest he might have had a major screen career if big musicals not fallen out of fashion in the late 1960s. High Camp Alert -- non-singers Geraldine Fitzgerald and Gladys Cooper are a hoot in the bitchy duet "There Are Those."


Hello Dolly (20th Century Fox)
Not the film it could have been, but with songs by Jerry Herman, choreography by Michael Kidd and some dynamite vocals by Barbra Streisand, there is plenty to enjoy here. The lavish sets and costumes add plenty of period charm. Unfortunately, the special features on the DVD are limited to a 1969 featurette and trailers for other Fox releases. Not much more than one gets during a TV rerun.


High Society (WB/Turner)
MGM's musical version of The Philadelphia Story boasts a Cole Porter score and a stellar cast. Just to see and hear Bing Crosby team up with Louis Armstrong for "Now You Has Jazz" is worth the price of admission; likewise there is a memorable duet of "Well, Did You Evah?" featuring Crosby and Frank Sinatra. No commentary track, but Celeste Holm helms a "Porter in Hollywood" featurette. Lots of fun, but your call.


The Hunchback of Notre Dame (Disney)
An underestimated masterpiece, this film has one of Stephen Schwartz's best scores and sensational Disney animation. A great commentary track and some enjoyable special features -- including a look at how one song ("A Guy Like You") works in various languages. Highly recommended!


It's Always Fair Weather (WB/ Turner)
Gene Kelly's last major MGM musical is an underestimated winner, with some unforgettable dance numbers and an entertaining plot. Intended as a sequel to On the Town, it evolved into the story of three army buddies who reunite ten years after World War II. Their initial differences almost ruin things until a common challenge brings them together. Few sights could match the trio (Kelly, Dan Dailey & Michael Kidd) strutting their stuff with trash can lids strapped to their feet, or Kelly tap-dancing through busy city streets on roller skates. Along with outtake numbers and cartoons, there is a highly entertaining "making of" documentary -- with yours truly among a stellar line up of experts. If you don't know this film, you are in for a real surprise.


Jerry Herman's Broadway (Varese Sarabande)
This all-star concert was taped live at the Hollywood Bowl, with the L.A. Philharmonic conducted by Don Pippin. Bea Arthur revisits Mame's "Man in the Moon," George Hearn recreates "I Am What I Am from La Cage, and Carol Channing descends Hello Dolly's staircase one more time. Wonderful performances by the likes of Michael Feinstein, Leslie Uggams and Lee Roy Reams add to the fun, and Herman himself sings and plays piano for the finale. An orgy of pleasures for showtune buffs!

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