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Before we go any further, let's define two terms that are central to this
discussion --
1. What is a "Musical"?
According to Webster's New Collegiate Dictionary:
"musical (noun,
singular) a film or theatrical production typically of a sentimental or humorous
nature that consists of musical numbers and dialogue based upon a unifying
plot."
Not bad, but it leaves a few bases uncovered. For the
purposes of this essay,
musical (noun, singular) - a stage, screen or film
entertainment utilizing popular style songs to either tell a
story (book musicals), or to showcase the talents of varied performers
(revues).
Whether a musical's origin is on stage, screen, or television, it counts. The fact
that Singin' in The Rain or Gigi began as films does not reduce their
importance to devoted fans of the genre, and one's first encounter with The Sound of Music or
West Side Story can be unforgettable on stage or screen even a television
screen. There is a big world beyond Manhattan's Broadway and London's West
End. As the lead character in Boys in The Band (Crowley 1968)
puts it, "Pardon me if your sense of art is offended, but odd as it may seem there
wasn't a Shubert Theatre in Hot Coffee, Mississippi!" Stage snobs
should take a deep breath and face the fact that Rooney and Garland mean
just as much to true musical queens as Lerner and Loewe. Wherever musicals
are born, they are part of the same wonderful history.
(Important disclaimer: This essay
will not attempt to examine that most mystical and stereotypical of gay cults, Judy Garland Queens.
Although many Judy queens are also musical queens, these "Boy's Next Door"
deserve separate examination.)
2. What are "Musical Queens"?
Webster's gives no help on this one (some hets can be
sooooo limited, n'est ce pas?), so we're on our own
Musical queens (noun, plural) - gays (and sympathizers) enlightened enough
to realize that stage and screen musicals are the be all and end all, the ultimate cultural flowering of the human
race.
At a time when the musical is an
endangered art form, they are no longer a hobby they are a cause.
In fact, becoming a true "musical queen" today is less a matter
of taste or artistic preference than of degree. This is not a classification open to dilettantes.
Musicals queens don't merely care . . . we believe.
Most gay men are culturally aware enough to have some interest in musical theatre, but
not all make the grade as musical theatre queens. Do you have a handful of
original cast CDs scattered among your Madonna's, U-2's and K.D.
Lang's? A Playbill or two hidden in a drawer? One musical poster on
your bedroom wall (from a production you didn't see) for purely decorative purposes?
If so, sorry honey you don't rate. Musical theatre queens collect recordings, videos and
memorabilia with a vengeance, attend numerous screenings and
performances, argue about musicals at the drop of a hat, and do all of the above
with the subtlety of a chain saw at a prayer meeting. Musical queens love
non-musical theatre and film too, but it is a different sort of passion; you
cannot sing along with the greatest works of Arthur Miller or Michael Tarantino.
Many people have asked over the years if it is possible for enlightened
lesbians and heterosexuals to rate as "musical queens." A special
few share the mania, the sense of belief -- so some lesbians and
heterosexuals deserve to be considered honorary members of our enchanted
circle. (I refuse to even guess where bisexuals fit into all this -- as a
classic lyric so aptly puts it, "indecision is a bore.")
For Us, It's Like Football . . . Sort of
For gay believers, musicals are what football is to many straight (and an appalling
number of gay) men. We relish souvenirs, memorize statistics, cheer on our favorites, and know all too well the difference between
a winning season and a losing one. Where they have the Superbowl, we have Tony Award
night, and just as football-loving hets are not
required to throw a great forward pass, musical queens are not required to tap dance.
Granted, musical theatre queens don't strip half naked and paint their torsos
with show logos, but we have to leave straight men some form of unrepressed
emotional expression, don't we?
Having defined the genre and its gay adherents, let's look at their joint history. To
do this we must step back to a time when (horror of horrors!) musicals did not exist, and
the Deity realized something was needed to bring color to a dreary, drama-heavy world.
Next: 1800s "How Long Has This Been
Going On?" |